Yuzima – ‘Anarchy’

NYC singer/songwriter Yuzima has dropped the first single from his upcoming LP The Machine. “The song is a combustion of post punk and hard rock energy and a gigantic chorus” which Yuzima says was inspired by Nirvana, punk and hard rock bands.

Yuzima’s ‘Anarchy’ is out now

I’ve mentioned New Yorker Yuzima here a couple of times before, notably in this interview and this review of 2012’s Sound Opera: Project One. New single ‘Anarchy’ is aptly titled, more lo-fi, gritty and angry than anything he has produced before.

Yuzima has a steadily rising profile, with features in a number of gay lifestyle webzines and plugs by, er, me, in some of those proper magazines I writer for such as Under the Radar Magazine and John Robb’s Louder Than War. Despite this, ‘Anarchy’ is a bravely difficult track; for someone with pop sensibilities to make something so impenetrable, raucous and yes, anarchic, is a bold artistic risk.

The track opens with a riff that sounds a little like a post metal take on ‘Satisfaction’. After this it takes a hard listen, but there are some lovely U2-esque guitar sounds underneath all that distortion, whilst Yuzima’s vocals convey real anguish despite the difficulty in understanding the actual lyrics. The song devolves into utter chaos, but if a sense of anarchy is what its writer is looking to achieve then he’s hit the nail on the head.

‘Anarchy’ is out now on Yuzima’s own UZEE label. Full album The Machine is set to be released in the fall/autumn.

Yuzima Interview

Earlier this month one of the most exciting new musicians from one of world’s most exciting cities released his new record; you can read my review of Yuzima’s Sound Opera: Project One here.

Yuzima

Now Yuzima has kindly taken some time to talk to me and answer a few questions about the Sound Opera project, pop music in general and its, as well as his, future.

Yuzima – Sound Opera Project One

Yuzima, an unlikely champion of European industrial rock, straight out of The Bronx

Despite my predilection for 1980s post punk and new wave music, and all their spin offs, I have never been to their spiritual home of New York. Nor have I ever visited hipster techno Mecca Detroit, and I have only briefly touched upon the sprawling west coast melting pot of new musical genres that is Los Angeles. As those who have never spent much time in the north west of England might struggle to find an affinity with the Madchester scene of the early 90s, it leaves me with a slightly ashamed sense of fraudulence when it comes to professing my love for the music born of these wonderful cultural springs; in fact when it comes to writing about the indie scene of bygone epochs my conscience can only really be settled by considering how much time I’ve spent in Berlin.